The spinnaker, made three-dimensional.

Series 1 began with the mainsail.

Time spent at Fowey Harbour, watching the Fowey River Dinghies under sail — studying the geometry of the mainsail, its tension lines, its structure under load — before reducing it into a precise two-colour graphic composition. Flat. Considered. Designed for the wall.

Series 2 begins with the spinnaker.

A different sail entirely. Where the mainsail is architectural and controlled, the spinnaker billows — it fills with wind, it twists, it radiates outward from a central point. That energy, that movement, that radiating geometry — is what Series 2 is built on.

The same process as Series 1. Observation. Reduction. Clarity. But applied to a form that moves rather than one that holds still.

The Series 2 Statement Piece

The hero object of Series 2 is a sculptural vase — its form drawn directly from the billowing geometry of a spinnaker sail under wind. Faceted, twisted, and finished in the same two-colour graphic language as the prints.

It is not a decorated object. The form itself is the artwork.

Like Series 1, it will be a strictly limited edition — individually numbered and signed. Once the edition is gone, it won't be remade.

Series 2 prints will also be available — the same radiating spinnaker geometry translated into signed fine art prints and digital downloads, consistent with the Series 1 format.

Where it's going

The work is currently in development. What you're seeing here is the process in real time — the geometry being worked out, the colourways being explored, the form being resolved.

Join the list

Series 2 launches in the next month. If you'd like to be among the first to see it when it does — prints, vase, and pricing — join the list below.

You'll receive one email when it's ready. Nothing before that.

No finished products yet. Just the work, becoming real.